Each band has adjustable gain, threshold, ratio, attack, and release parameters. Next, the dynamics processor allows you to compress, expand, and limit up to four independent frequency bands. The unique aspect of this EQ, however, is that it provides a real-time spectrum analyzer so that you can actually see changes to the audio spectrum as you make them. Each band has gain, frequency, and slope/Q parameters. Regarding the effects, the paragraphic equalizer provides 6 bands of adjustable notch filters, along with one low-shelf filter and one high-shelf filter for a total of eight configurable bands. For example, you could set up the EQ and dynamics processor to follow the reverb for some unique reverberation adjustments. Each effect can be enabled/disabled, and you have control over the order of the effects in the chain. It provides no less than six different mastering effects: paragraphic equalizer, multiband dynamics processor, multiband harmonic exciter, multiband stereo imager, loudness maximizer, and mastering reverb. Ozone is a multi-module DirectX effects plug-in specifically designed to be used for mastering audio material. That’s where a tool like Ozone from Izotope may be able to help.

Instead, many musicians try to do their own mastering but with mixed results. But because of cost, that is not a viable alternative for most independent musicians.

When you listen to a song on the radio, you know it’s been mastered in a professional studio.

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